Tag Archives: British Museum

Interesting British Museum document on the analysis of the Coenwulf Mancus

The analysis of the Coenwulf Mancus

Analysis of a gold mancus of Coenwulf of Mercia and other comparable coins by Gareth Williams and Michael Cowell [PDF]

This very interesting document describes not only the Coenwulf Mancus and the various processes the British Museum used to examine and authenticate it, but also shows the other six ‘later’ Anglo-Saxon gold coins in the British Museum’s collection. There are only eight known ‘later’ Anglo-Saxon gold coins in existence, seven held at the BM and number eight is in a museum in France, or Belgium or somewhere, can’t remember.

Also, there was a great photo of a Coenwulf silver penny on page 37 of the November issue of The Searcher.

Metal Detecting UK

Auction Day Arrives – Christie’s Sale 5488, Lot 176: The Crosby Garrett Helmet

The Crosby Garrett Helmet at the Christie’s web site:
“Lot Description
A ROMAN BRONZE CAVALRY PARADE HELMET CIRCA LATE 1ST-2ND CENTURY A.D.
Composed of two sections, helmet and mask; the tinned bronze face-mask with idealised youthful features, the openwork eyes with irises formed of delicate perforated rings, the upper and lower lids with incised lashes, the eyebrows arching from the bridge of the nose to the hairline with incised herringbone detail, the nostrils pierced, the fleshy lips slightly parted, with filtrum indicated, the face framed by three rows of tight corkscrew curls, the individual strands finely incised, the lower edge with remains of iron rivets on either side, probably for attachment of a strap for fastening to the helmet; the bronze helmet in the form of a Phrygian-style cap, with curved tip, surmounted by a solid-cast griffin, on an integral base, seated on its haunches, with finely incised details of the fur and mane, an attachment loop on the back of the neck, his wings outstretched with incised feather detail, his right paw raised and resting on the rim of a fluted amphora, an oval recess below with pierced loop at the tip, the back edge of the cap delineated by a raised ridge, curling inwards at the corners, terminating in incised button finals and decorated with pairs of vertical lines bordered by tongues, a row of hair curls emerging from underneath, the back and sides of the cap decorated with five rosettes, with groups of punched dots at the tips of the petals, with narrow flaring neck-guard, pierced in the centre and left corner, the perimeter decorated with incised diagonal dashes and tongues, with original hinge for attachment to the face-mask, mounted 16 in. (40.7 cm.) high

Lot Notes

This remarkable cavalry parade helmet, with its enigmatic features, is one of only three that have been discovered in Britain complete with face-masks. The others being the Ribchester Helmet, found in 1796 and now in the British Museum, and the Newstead Helmet, in the Museum of Antiquities, Edinburgh, found circa 1905. The Crosby Garrett Helmet, found in Cumbria earlier this year is an extraordinary example of Roman metalwork at its zenith.

The Crosby Garrett Helmet sets itself apart by virtue of its beauty, workmanship and completeness, particularly the face-mask, which was found virtually intact. In addition, the remarkable Phrygian-style peak surmounted by its elaborate bronze griffin crest appears unprecedented. H. Russell Robinson, formerly the curator of the Royal Armouries, cites only one other fragmentary helmet found at Ostrov in Romania, dated to the second half of the 2nd Century A.D., in the form of a tall Phrygian cap. Representations of similar helmets can be found at the base of Trajan’s Column among the captured Dacian and Sarmatian armour (cf ., H.R. Robinson, The Armour of Imperial Rome, London 1975, pp. 134-135, pls. 409-410). The openwork eyes and facial features of the Crosby Garrett Helmet find their closest parallels with Robinson’s Cavalry Sports Type E helmets, and in particular with a helmet from Nola, in southern Italy, now in the British Museum, dated to the late 1st to early 2nd Century A.D., (ibid., p. 124, pl. 361). However, the rendering of the hair in large tight curls is comparable to that of the Belgrade mask, now in the Archaeological Museum in Belgrade, belonging to Cavalry Sports Type C, and dated to the 2nd Century A.D. (ibid. p. 115, pl. 326).

These helmets were not for combative use, but worn for hippika gymnasia, (cavalry sports events). The polished white-metal surface of the Crosby Garrett face-mask would have provided a striking contrast to the original golden-bronze colour of the hair and Phrygian cap. In addition, colourful streamers may have been attached to the rings along the back ridge and on the griffin crest. Arrian of Nicomedia, a Roman provincial governor under Hadrian, provides us with the only surviving contemporary source of information on cavalry sports events. He describes, in an appendix to his Ars Tactica, how the cavalrymen were divided into two teams which took turns to attack and defend. He suggests that the wearing of these helmets was a mark of rank or excellence in horsemanship. Participants would also carry a light, elaborately painted shield, and wear an embroidered tunic and possibly thigh-guards and greaves, all of which would contribute to the impressive spectacle. These events may well have accompanied religious festivals celebrated by the Roman army and were probably also put on for the benefit of visiting officials. The displays would have been intended to demonstrate the outstanding equestrian skill and marksmanship of the Roman soldier and the wealth of the great empire he represented.”